| Track |
Artist |
Song |
Album |
Label |
|
|
|
|
Gertrude Stein |
A carafe, that is a blind glass; Roast Potatoes |
Tender Buttons |
|
|
|
|
|
Karlheinz Stockhausen |
Cancer |
Sirius |
|
|
|
| -----------------------------air break----------------------------- |
|
|
William Carlos Williams |
Spring and All |
Spring and All |
|
|
|
|
|
Charles Ives |
From the Steeples and the Mountains |
American Brass Music |
|
|
|
| -----------------------------air break----------------------------- |
|
|
Ezra Pound |
Canto I |
The Cantos |
|
|
|
|
1 |
The Peter Brotzmann Octet |
Machine Gun |
Complete Machine Gun Sessions, The |
Unheard Music |
*new arrival |
|
| -----------------------------air break----------------------------- |
|
|
Louis Zukofsky |
A-9 |
A |
|
|
|
|
|
George Crumb |
Four Nocturnes for Violin and Piano (Night Music II) |
New Music for Violin and Piano |
|
Paul Zukofsky, violin; Gilbert Kalish, piano |
|
| -----------------------------air break----------------------------- |
|
|
Charles Olson |
I, Maximus of Gloucester, to You |
The Maximus Poems |
|
|
|
|
|
Ornette Coleman |
Lonely Woman |
The Shape of Jazz to Come |
|
|
|
| -----------------------------air break----------------------------- |
|
|
John Cage |
Writing Through The Cantos |
Postmodern American Poetry |
|
|
|
|
|
John Cage |
Three Dances |
Three Dances |
|
|
|
| -----------------------------air break----------------------------- |
|
|
John Ashbery |
As One Put Drunk into the Packet Boat |
Self-Portrait in a Convex Mirror |
|
|
|
|
|
Philip Glass |
Dance 2 |
Einstein on the Beach |
|
|
|
