| Track |
Artist |
Song |
Album |
Label |
|
|
|
4 |
Various Artists |
Douglas Lilburn - Dance Sequence for Expo '70 |
New Zealand Electronic Music |
Creel Pone |
|
|
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|
|
Fassett, Jim |
First, Second, and Third Movements |
Symphony of the Birds |
EM Records |
composed entirely from birdsong |
|
|
|
Quintron |
Horror, The Throat, and Mood |
The Frog Tape |
Skin Graft |
samples Sounds of North American Frogs (Folkways) |
|
|
|
Christian Marclay |
Black Stucco |
Records |
Atavistic |
|
|
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|
|
Karlheinz Stockhausen |
Region I |
Hymnen |
Deutsche Grammophon |
|
|
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|
28 |
Scott, Raymond |
Backwards Overload |
Manhattan Research Inc. |
Basta |
|
|
|
|
Bruce Haack |
Rubberbands |
Hush Little Robot |
Q.D.K. Media |
|
|
|
2 |
Various Artists |
Max Mathews - Bicycle Built for Two |
Early Modulations: Vintage Volts |
Caipirinha |
|
|
|
|
v/a |
Charles Dodge - Earth's Magnetic Field |
TCS 120 |
n/a |
instrumental sonification of the magnetosphere |
|
|
3 |
Various Artists |
Pierre Schaeffer - Etude aux Chemins de Fer |
Early Modulations: Vintage Volts |
Caipirinha |
|
|
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|
|
v/a |
Hans Reichel - excerpt from Le Bal |
Gravichords, Whirlies & Pyrophones |
Ellipsis Arts |
|
|
|
|
v/a |
Douglas Kahn - Reagan Speaks for Himself |
TCS 120 |
n/a |
|
|
|
|
v/a |
Sarah Hopkins - Kindred Spirits |
Gravichords, Whirlies & Pyrophones |
Ellipsis Arts |
|
|
|
|
v/a |
Lou Reed - Metal Machine Music |
TCS 120 |
n/a |
|
|
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